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February 18, 2010

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Genju

Beautifully said, Barry. I can't help but notice that the upside down pyramid reflects your post of yesterday. ;-)

puerhan

A dramatic building might well illuminate otherwise hidden principles... but at the same time I just wonder if it actually *releases* the hidden or actually fuels is more! "Violent buildings" (as Libeskind's tend to be!) to my mind do not necessary provide a space to honestly and openly approach such issues. But then maybe they do by bring it out into physical form...

_/\_

Barry Briggs

Good catch, Genju!

Thanks for the interesting - provocative - article, Steve. The history of Buddhism includes a little-known history of conflict, not all of which was defensive in nature. And all of which was/is organized.

Puerhan, I don't know much about Libeskind's work and we'll see if his Dresden museum project provokes hostility and rage, or illuminates it instead. Buildings can provoke strong feelings, even if not always pleasant ones. I fear that the response to the Dresden museum addition may be mostly intellectual - in the head - rather than at the emotional, in-the-heart level. Violence ultimately arises from the heart's distress and a building that could reveal that . . . well, that would be something!

Suzanne

Anger, desire, ignorance...and don't forget mental illness, or "disorganisation". Some problems are insoluble.

mama p

I really, really enjoyed this post, Barry. And I love the thoughtfulness in the design of this building. I too wonder how the poetry of it will carry out... A second look and I think it sort of resembles a large ship cutting through a building, which if you don't know the proper context, is kinda funny... It's all about proper context, in'nit? ;)

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  • Zen teachers sometimes use the Ten Ox Herding Pictures to describe the path of awakening. Within this metaphorical framework, the ox symbolizes the secretive, unruly human mind.
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